A daring tale of humanity, Waldo’s Circus of Magic & Terror, is coming to the Theatre Royal Plymouth this year.

This version, based on an original idea by Hattie Naylor, has been co-written by Hattie Naylor and Jamie Beddard with an original score by Charles Hazlewood.

Set in 1933 Germany, where fascist whispers have grown to shouts, Waldo and his eclectic troupe of acrobats and clowns dedicate themselves to their craft. Concealed within the glamour of Waldo’s big top, stories of love, courage and resistance are revealed as the world outside this remarkable circus troupe becomes darker and more dangerous. The story is informed by historical research and the experiences of real performers. The star of Waldo’s Circus is ‘Krista’ played by Abbie Purvis with Dominic Owen as ‘Gerhard’. Waldo’s Circus of Magic & Terror is a large scale collaboration between D/deaf, disabled, and non-disabled artists and creators and tours nationally in 2023.

Waldo’s Circus of Magic & Terror is presented by Extraordinary Bodies based on an original idea by Hattie Naylor (Ivan and the Dogs, The Night Watch) and co-written by Hattie Naylor and Jamie Beddard (Messiah, The Elephant Man). The composer is Charles Hazlewood (Artistic Director, Paraorchestra) and it is co-directed by Claire Hodgson (Diverse City) and Billy Alwen (Cirque Bijou). Waldo’s Circus is co-produced with Bristol Old Vic and Theatre Royal Plymouth. All shows are Chilled Performances, BSL interpreted, captioned and audio described.

Extraordinary Bodies acknowledge the Holocaust and the millions of Jewish victims, and other groups* including Disabled people who were targeted for persecution and murder. In making this work, the company affirms its unwavering commitment to counter antisemitism, racism, and other forms of intolerance that may lead to group-targeted violence.

The world of Waldo’s Circus of Magic & Terror takes the painted-on glamour, skilful risk-taking, fierce loyalty, and the idea that ‘the show must go on’ as its narrative pillars. Set in 1933 when the law for “Prevention of Offspring with Hereditary Diseases” is passed, Waldo the Ringmaster with his travelling circus of outcasts and misfits, acrobats and aerialists, lovers and fighters are surviving in the fervour of Hitler’s dictatorship.

Jamie Beddard, writer said: “As a disabled person and artist, I’m acutely aware of the stigmatisation of particular groups and people through the growth of fascism in the past and now. The popularity of Eugenics in early 1930s Germany marked the beginning of a dark chapter in history where millions of people who were deemed not to conform were brutally hunted down and ‘dealt with’.”

Hattie Naylor, writer, added: “The inspiration and story of Waldo’s Circus evolved from initial interest and conversations generated by Todd Browning’s iconic film Freaks, released in 1932. It occurred to me that there must have been circuses in Germany that had so-called ‘freak shows’ at that time. So, I started researching, and I found that not only was this the case but these performers were smuggled out of the country through the circus networks, to Paris and beyond.”